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BEGIN:VEVENT
DTSTART:20240616T000000Z
DTEND:20240616T030000Z
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SUMMARY:The Dead Tongues
DESCRIPTION:THE DEAD TONGUES\n\nSATURDAY\, JUNE 15\n\nShow: 8p | Doors: 7p\n\nTickets: $15a/$18d ($3 Service Charge Included With Online Tickets. All sales are final\, no ticket refunds or exchanges. Seats are on a first-come\, first-serve basis\, and seats are not guaranteed with ticket purchase.)\n\nDUST\n\nAfter five months of not picking up an instrument\, The Dead Tongues' Ryan Gustafson wanted to get rid of everything that was tied to his identity as a musician. He even thought about changing his name. He was getting ready to throw out old notebooks packed with years of material but\, for some reason\, he decided to stop and go through them\, just to see if there was anything worth saving. And sure enough\, he found some images and lyrics\, threads from former selves he didn't want to lose. Thus was the catalyst for Dust\, his fifth and best album as The Dead Tongues.\n\n \n\nGustafson recorded Dust in nine days\, the fastest he'd ever recorded anything. It was the fastest he'd ever written anything\, too   in the past\, writing a song would take months\, but this time he somehow felt freer\, and wanted to have fun. The record was recorded at Sylvan Esso's studio\, Betty's\, in the woods of Chapel Hill\, North Carolina. He built it out with help from a number of his musician friends - Joe Westerlund (Watchhouse\, Megafaun\, Califone) on drums\, Andrew Marlin (Watchhouse) on mandolin\, backing vocals from Alexandra Sauser-Monnig and Molly Sarl  of Mountain Man\, among others.\n\nDust is meant to be listened to while taking a night drive\, farflung and roving and existential. Somewhere between the expansiveness of American jamband and the banjo-centric folk songwriting of Gustafson's Appalachia home. Gustafson explains the thematic throughline succinctly: "It's this idea of uprooting and rebirth and cycles\, and the past informing the future\, and the future informing the past. There is no single story. Everything is connected."
X-ALT-DESC;FMTTYPE=text/html:<h1>THE DEAD TONGUES</h1>\n\n<h2>SATURDAY\, JUNE 15</h2>\n\n<p><strong>Show: </strong>8p | <strong>Doors: </strong>7p</p>\n\n<p><strong>Tickets:</strong> $15a/$18d ($3 Service Charge Included With Online Tickets. All sales are final\, no ticket refunds or exchanges. Seats are on a first-come\, first-serve basis\, and seats are not guaranteed with ticket purchase.)</p>\n\n<p><strong>DUST</strong></p>\n\n<p>After five months of not picking up an instrument\, The Dead Tongues&rsquo\; Ryan Gustafson wanted to get rid of everything that was tied to his identity as a musician. He even thought about changing his name. He was getting ready to throw out old notebooks packed with years of material but\, for some reason\, he decided to stop and go through them\, just to see if there was anything worth saving. And sure enough\, he found some images and lyrics\, threads from former selves he didn&rsquo\;t want to lose. Thus was the catalyst for <em>Dust</em>\, his fifth and best album as The Dead Tongues.</p>\n\n<p>&nbsp\;</p>\n\n<p>Gustafson recorded <em>Dust </em>in nine days\, the fastest he&rsquo\;d ever recorded anything. It was the fastest he&rsquo\;d ever written anything\, too &ndash\; in the past\, writing a song would take months\, but this time he somehow felt freer\, and wanted to have fun. The record was recorded at Sylvan Esso&rsquo\;s studio\, Betty&rsquo\;s\, in the woods of Chapel Hill\, North Carolina. He built it out with help from a number of his musician friends - Joe Westerlund (<strong>Watchhouse</strong>\, <strong>Megafaun\, Califone</strong>) on drums\, Andrew Marlin (<strong>Watchhouse</strong>) on mandolin\, backing vocals from Alexandra Sauser-Monnig and Molly Sarl&eacute\; of <strong>Mountain</strong> <strong>Man</strong>\, among others.</p>\n\n<p><em>Dust </em>is meant to be listened to while taking a night drive\, farflung and roving and existential. Somewhere between the expansiveness of American jamband and the banjo-centric folk songwriting of Gustafson&rsquo\;s Appalachia home. Gustafson explains the thematic throughline succinctly: &ldquo\;It&rsquo\;s this idea of uprooting and rebirth and cycles\, and the past informing the future\, and the future informing the past. There is no single story. Everything is connected.&rdquo\;</p>\n
LOCATION:The Knickerbocker Music Center 35 Railroad Ave\, Westerly\, RI 02891
UID:e.726.39098
SEQUENCE:3
DTSTAMP:20260409T113545Z
URL:http://public.oceanchamber.org/events/details/the-dead-tongues-39098
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